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With it, you pull up flash options (including a no-brainer wireless on/off), ISO sensitivity settings, display choices, and drive mode options. A four-way navigation switch with a center AF button is just below the indented thumb rest. The back controls are pretty typical for a modern dSLR and will be instantly recognizable to advanced point-and-shoot users. It's hard to feel, and you have to move your whole hand to reach it with your thumb, and I think that will discourage people from using it. On a ledge behind it is the exposure compensation button I don't particularly like its position or feel, though. Also on the top right is a cryptic button for the Smart Teleconverter, a 1.4x or 2x digital zoom that produces results identical to cropping and only works in Live View mode.
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The mode dial, which provides the usual access to a handful of scene program modes and the typical manual, semimanual, and full automatic exposure modes, sits to the left of the viewfinder, while a large Live View/optical viewfinder toggle switch sits to its right. I do like the rubberized texture that covers it and the left side of the body, though. It's only three-quarters the height of the body and doesn't feel nearly as secure as full-height grips. The new grip design doesn't work for me, however. It's lighter, though it still seems to fall in the middle of the sub-$1,000 dSLR herd for size and weight. Most of the redesign works for the better, though I do have a couple of quibbles. As with all Sony dSLRs, you should be able to use any Minolta A mount lens with the camera. At the moment there's no body-only version of the A330, but one could possibly surface later in its life cycle. Each comes in two kits: one with an 18-55mm lens ( black, brown) and a dual-lens kit with that lens plus a 55-200mm model ( black, brown). You can get the A330 in one of two color schemes, black and metallic gray and brown and metallic copper-the brown version won't be available until the fall, though.